TOMEK SADURSKI, BORN IN POLAND, BASED IN LOS ANGELES & BERLIN.

 

FASCINATED BY DRAWING SINCE AN EARLY AGE, TOMEK SADURSKI

GRADUATED THE MASTER SCHOOL FOR FASHION & COMMUNICATION DESIGN IN MUNICH, WHERE HE WAS AWARDED FOR HIS GRADUATE SHOW GIAUR BY THE GERMAN TAILORS GUILD.

 

FOLLOWING THIS HE STUDIED MEDIA ART AND LATER STAGE & COSTUME DESIGN AT THE ACADEMY OF FINE ARTS IN MUNICH AND BECAME A TUTOR AT THE AMD ACADEMY FOR FASHION DESIGN & A LECTURER OF FIGURATIVE DRAWING AT THE UDK ART UNIVERSITY IN BERLIN.

TOMEK SADURSKI

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ACRYLIC ON CANVAS

 

FRAMED 200 x 140 CM

€12.000

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TEMPERA ON PAPER

 

FRAMED 100 x 80 CM

€6.000

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ACRYLIC ON PAPER

 

FRAMED 100 x 80 CM

€6.000

1/1

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ACRYLIC ON PAPER

 

FRAMED 100 x 80 CM

€6.000

1/1

INTERLINKED_9

ACRYLIC ON PAPER

 

FRAMED 100 x 80 CM

€6.000

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ACRYLIC ON CANVAS

 

FRAMED 200 x 140 CM

€12.000

1/1

INTERLINKED_4

TEMPERA ON PAPER

 

FRAMED 100 x 80 CM

€6.000

1/1

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ACRYLIC ON PAPER

 

FRAMED 100 x 80 CM

€6.000

1/1

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ACRYLIC ON PAPER

 

FRAMED 100 x 80 CM

€6.000

1/1

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ACRYLIC ON PAPER

 

FRAMED 100 x 80 CM

€6.000

I N T E R L I N K E D

“As there is no absolute frame of reference, absolute motion cannot be determined.
Thus, everything in the universe can be considered to be in motion.” - From Wikipedia, the free encyclopedia

“Panta rhei “ (everything flows) - Heraclitus

Rooted in the medium of drawing Tomek Sadurski creates an array of abstract and simultaneously figurative compositions, seemingly totemic signs that he considers equations .
Those hybrid works, ‘painted’ drawings on canvas and paper, created with gestural and bold, but masterly controlled movements generate their own characteristics, density, dynamics and motion. Deriving from his interest in physics and natural sciences the artist ventures to create dynamic non-verbal axioms that generate their own forcefield through movement. Like the dance of the electrons around the nucleus.

In almost repetitive manner all works invoke a silhouette-like composition. They all share mutual points of initiation, and thus become I N T E R L I N K E D. A first brush stroke, a point of orientation, a code of movement and most recognizably: a mirrored clone, a monotyped other painting pressed off the freshly painted motif, a copy that turns in the process into a different, individual painting. Those become literal twins, as some of other works share another type of linkage, that is added later in the process and can be spotted if the group is observed carefully. This way a universe of forms emerges, evolving and mutating from a common initial point. Like everything in the natural world, it is a micro system of interconnected entities,

in the I N T E R L I N K E D series: semi organic, semi robotic.

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